asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).
asylum-art:

Patrizia Polese 
Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.
She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).

asylum-art:

Patrizia Polese

Born in 1973, lives and works in Treviso. After linguistic maturity, he graduated from the School of Applied Arts of Castello Sforzesco in Milan, with a specialization in the art of weaving (1995). After a long experience in the field of restoration (Milan-Venice from 1993 to 1997), the passion for art and textiles led her to pursue research, from everyday life, the transitory and ephemeral.

She attended a three-year course at the ‘Scuola triennale d’Arte Applicata’ (School of Visual Arts) based at the Castello Sforzesco in Milan and obtained a qualification in weaving on haute lisse loom (a vertical frame loom used to weave tapestries and rugs).

(via asylum-art)

Tilda

Tilda

psychotherapy:

“For me, language is a freedom. As soon as you have found the words with which to express something, you are no longer incoherent, you are no longer trapped by your own emotions, by your own experiences; you can describe them, you can tell them, you can bring them out of yourself and give them to somebody else. That is an enormously liberating experience, and it worries me that more and more people are learning not to use language; they’re giving in to the banalities of the television media and shrinking their vocabulary, shrinking their own way of using this fabulous tool that human beings have refined over so many centuries into this extremely sensitive instrument. I don’t want to make it crude, I don’t want to make it into shopping-list language, I don’t want to make it into simply an exchange of information: I want to make it into the subtle, emotional, intellectual, freeing thing that it is and that it can be.”
—Jeanette Winterson

It’s been a while somebody could deliver ideas definitely precisely accurately what was just a pile of thoughts in my head. Yea of course this also motivates me to speak more, express things more with words.

psychotherapy:

“For me, language is a freedom. As soon as you have found the words with which to express something, you are no longer incoherent, you are no longer trapped by your own emotions, by your own experiences; you can describe them, you can tell them, you can bring them out of yourself and give them to somebody else. That is an enormously liberating experience, and it worries me that more and more people are learning not to use language; they’re giving in to the banalities of the television media and shrinking their vocabulary, shrinking their own way of using this fabulous tool that human beings have refined over so many centuries into this extremely sensitive instrument. I don’t want to make it crude, I don’t want to make it into shopping-list language, I don’t want to make it into simply an exchange of information: I want to make it into the subtle, emotional, intellectual, freeing thing that it is and that it can be.”

Jeanette Winterson

It’s been a while somebody could deliver ideas definitely precisely accurately what was just a pile of thoughts in my head.

Yea of course this also motivates me to speak more, express things more with words.

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